The Boston Red Sox Have Finally Found a Good Reason to Own an Apple Watch. Smartwatches have long felt like a gadget in search of a purpose. However, it seems the Boston Red Sox have finally discovered one thing they are actually good at cheating. According to complaint filed by New York Yankees general manager Brian Cashman and later corroborated by Major League Baseball, it seems the Boston Red Sox used the messaging function on Apple Watches to steal signs between Yankees pitchers and catchers and then relay that info to its batters. According to the The New York Times, the Red Sox told league investigators that team personnel had been instructed to monitor instant replay video and then send the signs to trainers in the dugout via their Apple Watches. The trainers would then pass on the info to the players, thus giving them an advantage before an incoming pitch. Stealing signs isnt anything new for baseball, but the use of an Apple Watch is a pretty dastardly use of modern technology. Last season, the Los Angeles Dodgers were found guilty of cheating when the team used laser rangefinders to position its players in the outfield. Of course, in true Red Sox fashion, the team countered by filing a probably bogus complaint alleging that the Yankees used a camera from its YES television network to steal signs as well. Red Sox fans have also seemed to have latched on the Apple Watch, not because of the tech itself, but because of their never ending inferiority complex that flares up anytime the Yankees are mentioned. One Bostonian even went so far as to say This is the first time Ive ever wanted to wear an Apple Watch. I guess congratulations are in order to Tim Cook and company for finding a way to cross over into a new demographic. As someone who went to college in Boston, this kind of vitriol is pervasive across the entire region. I once went to a movie theater near Fenway, and after the film concluded which was not related to sports at all some members of Red Sox nation decided they would celebrate the ending by chanting Jeter Sucks. True story. From the Twitch Live Stage at New York Comic Con 2017, IMDb LIVE host Kevin Smith talks to Marvel Chief Creative Officer Joe Quesada about the development of the. Saw IV is a 2007 AmericanCanadian horror film and the fourth installment in the Saw franchise. It was directed by Darren Lynn Bousman and written by newcomers Marcus. Red Sox fans have also seemed to have latched on the Apple Watch, not because of the tech itself, but because of their neverending inferiority complex that flares up. The monsters have made it into a small neighboring town in the middle of nowhere and the locals have to band with the survivors of the bar slaughter to figure out. FEAST2/DSC_0117_3.jpg' alt='Watch Feast Ii: Sloppy Seconds Online Imdb Show' title='Watch Feast Ii: Sloppy Seconds Online Imdb Show' />Saw IV Wikipedia. Saw IV is a 2. 00. American Canadian3horror film and the fourth installment in the Saw franchise. It was directed by Darren Lynn Bousman and written by newcomers Marcus Dunstan, Patrick Melton, and Thomas Fenton. Watch A Clockwork Orange Online Facebook. It stars Tobin Bell, Scott Patterson, Costas Mandylor, Betsy Russell, and Lyriq Bent. The film continues the story of the Jigsaw Killers obsession with teaching people the value of their lives. Despite Jigsaws death in the previous installment, the film focuses on his ability to manipulate people into continuing his work. Watch Feast II: Sloppy Seconds Online IMDB' title='Watch Feast II: Sloppy Seconds Online IMDB' />The story follows Lieutenant Daniel Rigg being put through a series of tests in order to try to let go of his obsession with saving everyone, whilst at the same time attempting to save his partner. The film was released in North America on October 2. Despite this, the film was a box office success, grossing 1. It was followed by Saw V on October 2. A wax coated microcassette is found in John Kramers stomach during his autopsy. It reveals to Mark Hoffman, the detective called in to hear it, that the games, including his own, will continue. Elsewhere, two men one with his eyes sewn shut, the other has his mouth sewn shut awaken in a mausoleum, chained at the neck to a winch. The blinded man panics and activates the winch while attacking the muted man, who kills him and removes a key from his collar to free himself. Four days after Allison Kerrys death, a SWAT team led by Hoffman and Lieutenant Daniel Rigg finds her body, and Hoffman warns Rigg for breaking through an unsecured door to reach her. The scene is also investigated by Peter Strahm and Lindsey Perez, Kerrys FBI contacts, who received a message and a key from her. Noting Kramers and Amanda Youngs physical limitations, Strahm states they are looking for an unidentified accomplice he soon becomes suspicious of Rigg, who has developed an obsession with saving people in the six months since the disappearance of detective Eric Matthews. That night, Rigg is attacked in his home he awakens to learn that Matthews is alive and has ninety minutes to save himself, with Hoffmans life also at risk. Meanwhile, he must play his own game to face and overcome his obsession. The detectives are shown to be at each end of a large seesaw Matthews is held atop an ice block by a chain noose, and Hoffman is strapped to a chair with electrodes at his feet. If Matthews slips or too much ice melts, both men will die. A man later arrives to oversee the game. Rigg finds a prostitute, Brenda, bound to a chair in his living room, which he accidentally turns on the trap, which slowly tears apart her scalp. Rigg frees her, but kills Brenda in self defense when she attacks Rigg with a knife. Rigg is then led to a motel and instructed to abduct the owner, Ivan Landsness, who Rigg finds out is a serial rapist. He forces Landsness onto a bed, which blinds only one of Landsness eyes, and the trap dismembers him. Rigg is led to a school, where he finds a married couple, Rex, who is already dead, and Morgan, who already has her spikes pulled out of her body. Morgan pulls out her last spike and Rigg gives her a key to save herself. Rigg turns on a fire alarm and goes to the location of his final test. The agents alternate between investigating the scenes and questioning Jill Tuck, Kramers ex wife. Jill reveals Kramers work with civil engineering and property development, and that she miscarried her son Gideon after seven months when Cecil Adams, a drug addict, slammed a door into her stomach while robbing her health clinic. At the motel, the agents learn that the room was rented out to a lawyer named Art Blank, who vanished two weeks prior, and survivor of the mausoleum trap. Blank is revealed to be the man overseeing the game when he stops Matthewss attempts at jumping and gives him a gun. At the school, the agents learn that all three victims, as well as Jill, were Blanks clients. A crime scene photographer is killed by a trap, while Strahm and Perez find a puppet and a tape recorder in another room, which plays a cryptic message for Perez before its face explodes, sending shrapnel into her face. After Perez is hospitalized, Strahm furiously questions Jill, now convinced of Blanks involvement, and how Kramer ended his work with the wake of Blanks depression, and that Cecil became the first victim of Kramers games. Strahm connects her story and a prior clue to the Gideon Meatpacking Plant, the location of his final test. Strahm arrives after Rigg, but ends up following Jeff Denlon. After finding Jeff in the sickroom, Strahm shoots him dead in self defense when Jeff demands his daughter back. Meanwhile, Blank pulls out a device which will free them when the timer expires if used before then, a pair of pincers will sever his spine. Rigg finds them and is shot by Matthews as he breaks into the room, releasing two overhead ice blocks which swing down and crush Matthews head, killing him. Rigg shoots and kills Blank, believing him responsible for the game, only to learn from Blanks tape recorder that his interference caused Matthews death. Hoffman, the actual accomplice, releases himself from the chair, but leaves Rigg to bleed to death. He seals Strahm in the sickroom and leaves the plant. The scene cuts to Hoffman at the morgue, which implies that Johns autopsy took place after the events of the film. ProductioneditSaw IVs writers were Thomas Fenton, Marcus Dunstan, and Patrick Melton. There was also a hunt for a director before it was officially stated that Darren Lynn Bousman would direct the fourth installment, with creators and executive producers James Wan and Leigh Whannell also returning. Principal photography took from 1. April 2. 00. 77 to 3 May 2. The filming location was Toronto, Ontario 9 the same place both Saw II1. Saw III1. 1 were filmed. The post production period began on 1. May. 1. 2In an interview with Bousman, he stated that the last work on Saw IV would happen in August to be able to have prints made. At Comic Con 2. Bousman and producer Mark Burg that the MPAA had given the film an NC 1. They would have to figure out whether or not to cut the film to achieve an R rating or release it as an NC 1. Lionsgate held its fourth annual Give Til It Hurts blood drive for the Red Cross. ReceptioneditBox officeeditThe film grossed 6. United States and an additional 7. It is Lionsgates sixth highest grossing film in the United States and Canada. ReviewseditCritical reception to Saw IV was negative. Rotten Tomatoes reports that 1. The Rotten Tomatoes consensus states Saw IV is more disturbing than compelling, with material already seen in the prior installments. On Metacritic, the film has an average score of 3. Scott Schueller from the Los Angeles Times called it a film as edgy as a rubber knife and said that if the terrible craft of Bousmans film doesnt turn your stomach, the borderline pornographic violence will. Its disconcerting to imagine anyone enjoying the vile filth splashing the screen. Frank Scheck from The Hollywood Reporter said the famously inventive torture sequences here seem depleted of imagination, but added that it hasnt yet jumped the shark like such predecessors as the Nightmare on Elm Street and Friday the 1. Peter Hartlaub from The San Francisco Chronicle called it the Syriana of slasher films, so complicated and circuitous that your only hope of understanding everything is to eat lots of fish the night before and then watch each of the previous films, in order, right before you enter the theater. James Berardinelli wrote that Saw IV functions as a drawn out, tedious epilogue to a series that began with an energetic bang three years ago with Saw, then progressively lost momentum, coherence, and intelligence with each successive annual installment. Saw IV is nothing short of a money grab. Despite a couple of loose ends that are tied up unsatisfactorily here, Saw III finished the story.